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    <title>MaheMehr</title>
    <link>http://mahe-mehr.com</link>
    <description>The latest news about mahe-mehr institute.</description>
    <language>en-us</language>
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    <item>
      <title>Exhibition od works by Ahmad Nadalian</title>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=410</link>
      <pubDate>2008-05-14</pubDate>
    </item>
    <item>
      <title>Heros Bandari in Elahe Galery</title>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=350</link>
      <pubDate>2008-02-05</pubDate>
    </item>
    <item>
      <title>Jolie's sculptures from butchery to gallery</title>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=317</link>
      <pubDate>2007-11-22</pubDate>
    </item>
    <item>
      <title>Shahla Habibi and Principles of Visual Arts Courses</title>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=272</link>
      <pubDate>2007-09-02</pubDate>
    </item>
    <item>
      <title>The Mystery of Creation in Paint and Canvas language</title>
      <description>
  &lt;p align=&quot;justify&quot;&gt;Samira Noe Parast says : “ My paintings&amp;nbsp; presented at mentioned exhibition are in fact questions about Creation of Human and Universe. “&amp;nbsp; &lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;The Iranian Painter and Sculptor living in the United States has held several exhibitions abroad. She has been painting her judgments about Creation since 2005 before moving to&amp;nbsp; the U.S.A. Upon her arrival to Iran , Samira has fulfilled all her works and the mentioned exhibition at Mahe Mehr’s gallery is to present her new set of paintings.&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;The young painter who has held exhibitions in Italy and Los Angeles , U.S.A&amp;nbsp; previously says “ In Iran Gallery management is an expertise&amp;nbsp; occupation. The Gallery Manager of my exhibition bought all my paintings before the presentation . On&amp;nbsp; the opening&amp;nbsp; day so many people&amp;nbsp; invited by the gallery visited my works.”&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;She continues “ My recent exhibition in Los Angeles was wonderful . Although the paintings ‘ prices abroad are about ten times more than here ,&amp;nbsp; the number of buyers are also relatively much more&amp;nbsp; .” &lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;Noe Parast believes that the&amp;nbsp; Iranian paintings are not less precious than western ones and Iranian and western artists have progressed in modern painting simultaneously.”&amp;nbsp; And there is no doubt that Iranian paintings can be&amp;nbsp; well presented in the United States too. “ &lt;br /&gt;She has just started working in a Gallery in Los Angeles and hopes to be a good base for introduction of Iranian works to other countries.&amp;nbsp; &lt;br /&gt;In her paintings which are mostly 120x120 Cm she has mostly used&amp;nbsp; elements of horses and horseback riding equipments.&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;&lt;br /&gt;&lt;/p&gt;</description>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=270</link>
      <pubDate>2007-08-27</pubDate>
    </item>
    <item>
      <title>Cinematic Photographs of Vargha Ameri</title>
      <description>
  &lt;p align=&quot;justify&quot;&gt;Vargha Amery was born in 1965. He studied Painting and Photography at Cavendish University U.K. and in 1984 started the photography professionally. In 2004 he was recognized as one of the best 10 photographers by Samsung Co. in Iran. For the first time in the history of Iranian cinema, he took pictures of a complete movie (directed by Kazem Rastgoftar) by a digital camera. Vargha cooperated with Iranian local publications from 1988 to 1995 and in 1998 he started to practice theatrical photography with Dr. Ali Rafiei and Hadi Marzban. Since 1999 he has been involved in both portrayal and cinematic photography. The above mentioned exhibition will be opened on saturday August 18th and will continue until September 13th. For more information you can contact Mahe Mehr’s Café Gallery Web. &lt;/p&gt;</description>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=268</link>
      <pubDate>2007-08-15</pubDate>
    </item>
    <item>
      <title>Collective Illustration Exhibition</title>
      <description>
  &lt;p&gt;&lt;span&gt;&lt;font size=&quot;3&quot;&gt;&lt;font face=&quot;Times New Roman&quot;&gt;The exhibition will be opened on Wednesday August 15&lt;sup&gt;th&lt;/sup&gt; and will continue up to August 23&lt;sup&gt;rd&lt;/sup&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;u&gt;&lt;/u&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;</description>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=257</link>
      <pubDate>2007-08-14</pubDate>
    </item>
    <item>
      <title>Experiencing the creation of an artwork</title>
      <description>
  &lt;p align=&quot;justify&quot;&gt;Arso&amp;nbsp; and Vesta Color Co. have been the sponsors of the mentioned workshop.&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;Vesta’s advertising manager who was with&amp;nbsp; the painters the whole time&amp;nbsp; explained about their activities.&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;Shokoofeh Yalda, Vesta’s&amp;nbsp; advertising manager says&amp;nbsp;&amp;nbsp; “ Vesta is a company with 7 to8 years of experience in Iranian market and&amp;nbsp; about 3 or 4 years ago we planned Vesta to&amp;nbsp; participate energetically in various exhibitions . We have decided to have a very comprehensive and dynamic relation with our consumers and their interest in our products indicates our achievement in this regard.&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;&amp;nbsp;&lt;/p&gt;</description>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=258</link>
      <pubDate>2007-08-13</pubDate>
    </item>
    <item>
      <title>New Specialized English courses in Visual Arts</title>
      <description>
  &lt;p style=&quot;DIRECTION: ltr&quot; align=&quot;justify&quot;&gt;Mahe Mehr is registering students for Specialized English courses in Visual Arts instructed by Soheila Mahernia. For enrollment&amp;nbsp; in above mentioned classes students should first have an interview. Applicants&amp;nbsp; can&amp;nbsp; call Mahe Mehr for an interview appointment . The beginning date of the courses will be announced accordingly.&lt;/p&gt;</description>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=253</link>
      <pubDate>2007-08-08</pubDate>
    </item>
    <item>
      <title>Beginning of the photography courses  instructed by  three outstanding professors</title>
      <description>
  &lt;p align=&quot;justify&quot;&gt;The new Documentary Photography course instructed by Professor Jalali&amp;nbsp; includes: Theoretical discussions , Practical working, providing three pamphlets regarding evolution of photography – regarding Photography and Documentary Photography&amp;nbsp; Ideologies in about 150 pages. In case students find the materials too difficult , they will be simplified.&amp;nbsp; Four documentary films will be also shown during the course.&lt;/p&gt;</description>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=242</link>
      <pubDate>2007-07-11</pubDate>
    </item>
    <item>
      <title>Conference Programme</title>
      <description>
  &lt;p&gt;&lt;strong&gt;&lt;u&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-FAMILY: Arial&quot;&gt;&lt;font size=&quot;2&quot;&gt;Friday 15 June&lt;/font&gt;&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
  &lt;p style=&quot;MARGIN: 0in 60.7pt 0pt 0in&quot;&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p style=&quot;MARGIN: 0in 60.7pt 0pt 0in&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-FAMILY: Arial&quot;&gt;&lt;font size=&quot;2&quot;&gt;Morning Session&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
  &lt;p&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;8.30- 9.00&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Registration&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;&lt;span&gt;9.0&lt;span style=&quot;FONT: 7pt 'Times New Roman'&quot;&gt;&lt;font size=&quot;2&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;ltr&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;Introduction by: Conference Convener &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;&lt;font size=&quot;2&quot;&gt;Chair: Dr Hamid Keshmirshekan&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
  &lt;pre&gt;&lt;font size=&quot;2&quot;&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-FAMILY: Arial&quot;&gt;9.10&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;strong&gt;Dr Eleanor Sims; &lt;/strong&gt;(&lt;/span&gt;&lt;span lang=&quot;EN&quot; style=&quot;COLOR: black; FONT-FAMILY: Arial&quot;&gt;Editor, &lt;/span&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-FAMILY: Arial&quot;&gt;Islamic art historian) (UK)&lt;/span&gt;&lt;/font&gt;&lt;/pre&gt;
  &lt;pre&gt;&lt;em&gt;&lt;span lang=&quot;EN&quot; style=&quot;TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font size=&quot;2&quot;&gt;AN&lt;span&gt;&amp;nbsp; &lt;/span&gt;oRCHARD OF PERFECT ADORNMENT :&lt;span&gt;&amp;nbsp; &lt;/span&gt;THE CONTINUITY&lt;span&gt;&amp;nbsp; &lt;/span&gt;OF IRANIAN PAINTING&lt;span&gt;&amp;nbsp; &lt;/span&gt;TO THE END OF THE QAJAR PERIOD&lt;/font&gt;&lt;/span&gt;&lt;/em&gt;&lt;/pre&gt;
  &lt;pre&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;9.50&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span lang=&quot;EN&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;Dr Christiane Gruber;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt; (Assistant Professor of Islamic Art, Indiana University) (US)&lt;/span&gt;&lt;/pre&gt;
  &lt;p&gt;&lt;em&gt;&lt;span lang=&quot;EN&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;Towards a History of Persian Painting: Models and Problems of Definition&lt;span&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;p&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;10.30&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Tea-Coffee Break&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;10.50&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;strong&gt;Prof. Habibollah Ayatollahi; &lt;/strong&gt;(art critic, artist, and professor of visual arts) (IRAN)&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&lt;em&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;The practice of Persian Painting’s Aesthetics in Contemporary iranian Art&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;p&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;11.30&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;strong&gt;Ms Shahrzad Salehipour; &lt;/strong&gt;(artist, writer and lecturer) (IRAN)&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&lt;em&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;study and analysis of formation of the school of Tehran (in the early 20&lt;sup&gt;th&lt;/sup&gt; century)&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;p&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p style=&quot;TEXT-INDENT: -1in&quot;&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;&lt;span&gt;12.10&lt;span style=&quot;FONT: 7pt 'Times New Roman'&quot;&gt;&lt;font size=&quot;2&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;ltr&quot;&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;Lunch Break&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
  &lt;p style=&quot;MARGIN: 0in 60.7pt 0pt 0in&quot;&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p style=&quot;MARGIN: 0in 60.7pt 0pt 0in&quot;&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p style=&quot;MARGIN: 0in 60.7pt 0pt 0in&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-FAMILY: Arial&quot;&gt;&lt;font size=&quot;2&quot;&gt;Afternoon Session&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
  &lt;p style=&quot;MARGIN: 0in 60.7pt 0pt 0in&quot;&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p&gt;&lt;font size=&quot;2&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Chair: Mr Hamid Severi &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;(art critic, writer and lecturer) (IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;p&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;15.00&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;strong&gt;Mr Aydin Aghdashloo;&lt;/strong&gt; (a&lt;span&gt;rtist, art critic&lt;/span&gt;, &lt;span&gt;writer&lt;/span&gt; &lt;span&gt;&amp;amp; art &lt;/span&gt;instructor&lt;span&gt;) &lt;/span&gt;(IRAN)&lt;span style=&quot;TEXT-TRANSFORM: uppercase&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&lt;em&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;The Continuity of the Past through the Present: A Survey of the Revival of Persian Painting during the Past Century&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;p&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;15.40&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;strong&gt;Mr Mehrdad Ahmadian; &lt;/strong&gt;(researcher, The Academy of the Arts, Iran) (IRAN)&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&lt;em&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;Universals and their transformation in Iranian painting during the 20&lt;sup&gt;th&lt;/sup&gt; century&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;p&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;16.20&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Tea-Coffee Break&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;16.40&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;strong&gt;Mr Aryasp Dadbeh; &lt;/strong&gt;(artist, art critic and writer) (IRAN)&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&lt;em&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;Orientalism and contemporary Iranian painting &lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;p&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;strong&gt;&lt;u&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-FAMILY: Arial&quot;&gt;&lt;font size=&quot;2&quot;&gt;Saturday 16 June&lt;/font&gt;&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
  &lt;p style=&quot;MARGIN: 0in 60.7pt 0pt 0in&quot;&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p style=&quot;MARGIN: 0in 60.7pt 0pt 0in&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-FAMILY: Arial&quot;&gt;&lt;font size=&quot;2&quot;&gt;Morning Session&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
  &lt;p&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;font size=&quot;2&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Chair: Mr Hamid Severi &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;(art critic, writer and lecturer) (IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;p&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;9.10&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;strong&gt;Mr Mohammad Bagher Ziyai; &lt;/strong&gt;(a&lt;span&gt;rtist, art critic&lt;/span&gt;, &lt;span&gt;and lecturer) &lt;/span&gt;(IRAN)&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&lt;em&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;Framework or Transformation: study of process of formation of Contemporary Iranian art &lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;p&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;9.50&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;strong&gt;Mr Behnam Kamrani; &lt;/strong&gt;(artist, art critic and lecturer) (IRAN)&lt;/span&gt;&lt;/p&gt;
  &lt;p&gt;&lt;em&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;The revival of pictorial traditions in contemporary Iranian painting&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
  &lt;p&gt;&lt;font size=&quot;2&quot;&gt;&lt;/font&gt;&amp;nbsp;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;10.30&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Tea-Coffee Break&lt;/span&gt;&lt;/p&gt;
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  &lt;p&gt;&lt;em&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;Parallel Worlds: Contemporary Iranian art in the contexts of other contemporary non-European cultures&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
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  &lt;p&gt;&lt;em&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;The forces of globalisation and the problem of identity: Contemporary Iranian art during past two decades&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
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  &lt;p&gt;&lt;em&gt;&lt;span lang=&quot;EN&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;Newest trends in contemporary iranian painting&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
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  &lt;p&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;Mrs Farah Osouli &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;(artist and curator of the Exhibition), &lt;strong&gt;Mr Nosratollah Moslemian &lt;/strong&gt;(artist and lecturer), &lt;/span&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;Mr Khosro Khosravi &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Arial&quot;&gt;(artist and lecturer) &lt;/span&gt;&lt;/p&gt;
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      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=213</link>
      <pubDate>2007-05-26</pubDate>
    </item>
    <item>
      <title>Persian Painting and Modern/ Contemporary Iranian Painting:  Continuity or Discontinuity?</title>
      <description>
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  &lt;p align=&quot;left&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;3&quot;&gt;&lt;strong&gt;&lt;u&gt;Introduction &lt;/u&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;Conference convener: &lt;em&gt;&lt;a href=&quot;http://www.mahe-mehr.com/teacher_en.php?action=view&amp;amp;id=30&quot; target=&quot;_blank&quot;&gt;Dr Hamid Keshmirshekan&lt;/a&gt;&lt;/em&gt; (&lt;a title=&quot;Introduction&quot; href=&quot;http://www.mahe-mehr.com/news_en.php?action=view&amp;amp;id=179&quot; target=&quot;_blank&quot;&gt;&lt;font color=&quot;#ff1063&quot;&gt;please click here&lt;/font&gt;&lt;/a&gt;)&lt;/font&gt;&lt;/p&gt;
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      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;The Continuity of the Past through the Present: A Survey of the Revival of Persian Painting during the Past Century&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
  &lt;/ul&gt;
  &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Mr Aydin Aghdashloo;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt; (a&lt;span&gt;rtist, art critic&lt;/span&gt;, instructor&lt;span&gt; and writer) &lt;/span&gt;(IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;ul&gt;
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      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;Universals and its transformation in Iranian painting during the 20&lt;sup&gt;th&lt;/sup&gt; century&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
  &lt;/ul&gt;
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  &lt;ul&gt;
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      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;The exercise of Persian Painting’s Aesthetics in Contemporary Art&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
  &lt;/ul&gt;
  &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Prof. Habibollah Ayatollahi; &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;(art critic, artist, and professor of visual arts) (IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;ul&gt;
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      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;Orientalism and contemporary Iranian painting &lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
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  &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Mr Aryasp Dadbeh; &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;(art critic and writer) (IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;ul&gt;
    &lt;li&gt;
      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN&quot; style=&quot;FONT-SIZE: 11pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;font face=&quot;Times New Roman&quot;&gt;Towards a History of Persian Painting: Models and Problems of Definition&lt;span&gt;&amp;nbsp; &lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
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  &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Dr Christiane Gruber;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt; &lt;/span&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;(Assistant Professor of Islamic Art, Department of Art History,&lt;span&gt;&amp;nbsp; &lt;/span&gt;Indiana University) (US)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;ul&gt;
    &lt;li&gt;
      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;The revival of pictorial traditions in contemporary Iranian painting&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
  &lt;/ul&gt;
  &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Mr Behnam Kamrani; &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;(artist, art critic and lecturer) (IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;ul&gt;
    &lt;li&gt;
      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;The forces of globalisation and the problem of identity: Contemporary Iranian art during past two decades&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
  &lt;/ul&gt;
  &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Dr Hamid Keshmirshekan; &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;(art historian, critic and lecturer)&lt;/span&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray&quot;&gt;&lt;font face=&quot;Times New Roman&quot;&gt; &lt;/font&gt;&lt;/span&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;(IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;ul&gt;
    &lt;li&gt;
      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;Parallel Worlds: Contemporary Iranian art in the contexts of other contemporary non-European cultures&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
  &lt;/ul&gt;
  &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Mr Edward Lucie Smith;&lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt; (art historian, critic, poet &amp;amp; writer) (UK)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;ul&gt;
    &lt;li&gt;
      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;study and analysis of formation of school of Tehran (in the early 20&lt;sup&gt;th&lt;/sup&gt; century)&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
  &lt;/ul&gt;
  &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Ms Shahrzad Salehipour; &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;(artist, writer and lecturer) (IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;ul&gt;
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      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN&quot; style=&quot;FONT-SIZE: 11pt; TEXT-TRANSFORM: uppercase; COLOR: black; FONT-FAMILY: Arial&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;AN&lt;span&gt;&amp;nbsp; &lt;/span&gt;oRCHARD OF PERFECT ADORNMENT :&lt;span&gt;&amp;nbsp; &lt;/span&gt;THE CONTINUITY&lt;span&gt;&amp;nbsp; &lt;/span&gt;OF IRANIAN PAINTING&lt;span&gt;&amp;nbsp; &lt;/span&gt;TO THE END OF THE QAJAR PERIOD&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
  &lt;/ul&gt;
  &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Dr Eleanor Sims; &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;(Islamic art historian) (UK)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
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      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN&quot; style=&quot;FONT-SIZE: 11pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;Newest trends in contemporary iranian painting&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
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  &lt;ul&gt;
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      &lt;div align=&quot;left&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: Arial&quot;&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;Framework or Transformation: study of process of formation of Contemporary Iranian art &lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
  &lt;/ul&gt;
  &lt;p align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;Mr Mohammad Bagher Ziyai; &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 10pt; COLOR: gray; FONT-FAMILY: Arial&quot;&gt;(a&lt;span&gt;rtist, art critic&lt;/span&gt;, &lt;span&gt;and lecturer) &lt;/span&gt;(IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;p align=&quot;left&quot;&gt;&lt;font face=&quot;Arial&quot; color=&quot;#000000&quot; size=&quot;2&quot;&gt;&lt;strong&gt;&lt;u&gt;Artists in Conversation:&lt;/u&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;ul&gt;
    &lt;li&gt;
      &lt;div align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;font face=&quot;Times New Roman&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; FONT-FAMILY: Arial&quot;&gt;Mr Khosro Khosravi; &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; FONT-FAMILY: Arial&quot;&gt;(artist and lecturer) (IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/font&gt; &lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
      &lt;div align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;font face=&quot;Times New Roman&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; FONT-FAMILY: Arial&quot;&gt;Mr Nosratollah Moslemian; &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; FONT-FAMILY: Arial&quot;&gt;(artist and lecturer) (IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; FONT-FAMILY: Arial&quot;&gt;&lt;span&gt;&lt;font face=&quot;Times New Roman&quot; size=&quot;1&quot;&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
    &lt;/li&gt;
    &lt;li&gt;
      &lt;div align=&quot;left&quot;&gt;&lt;font size=&quot;1&quot;&gt;&lt;font face=&quot;Times New Roman&quot;&gt;&lt;strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; FONT-FAMILY: Arial&quot;&gt;Mrs Farah Osouli; &lt;/span&gt;&lt;/strong&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;FONT-SIZE: 11pt; FONT-FAMILY: Arial&quot;&gt;(artist and curator of the Exhibition) (IRAN)&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;
    &lt;/li&gt;
  &lt;/ul&gt;
  &lt;p align=&quot;left&quot;&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p align=&quot;left&quot;&gt;&amp;nbsp;&lt;/p&gt;</description>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=201</link>
      <pubDate>2007-05-09</pubDate>
    </item>
    <item>
      <title>The observer of a colorful dance</title>
      <description>
  &lt;p align=&quot;justify&quot;&gt;The mentioned session was supposed to start from 5:00pm to 7:00 pm but due to the participants’ strong interests it continued up to 8:00 pm . Babak Etminani at this session evaluated and analyzed the artworks of the three mentioned artists who were all his own students. Afterwards he explained his own point of views about art and painting.&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;He said:&lt;br /&gt;“I seek the essence, the Hidden Obvious, in its might and majestic beauty. I sense the mysterious oneness of nature, the greatest source of my inspiration. I paint to beg the Inseparable to unveil a secret upon my canvas. If my prayer is granted, a universe made of paint comes to life before my eyes, to which I bear witness. Thus I paint to harmonize my inner self with an ever-expanding force, the Grand Gesture, which unifies everything into one being; like a whirling Sufi.&amp;quot; &lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;&amp;nbsp;&lt;/p&gt;</description>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=191</link>
      <pubDate>2007-04-25</pubDate>
    </item>
    <item>
      <title>BBC reports the   presence of Iran at Art Köln</title>
      <description>
  &lt;p align=&quot;justify&quot;&gt;Elaheh Gallery which is directed by Elaheh Javahery graduated in painting is going to participate for the third time at Art Köln exhibition . Elaheh Gallery is the only participant from Iran and presents the artworks of six Iranian painters who four of them live in Iran, one lives in Germany and the last one in the US.&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;Shahriar Tavakoli, Khosro Hassan Zadeh, Ramin Haeri Zadeh and Rokni Haeri Zadeh are the painters who live in Iran and Elaheh Gallery presents their artworks to the entire world. Nikzad Nojoomi lives in the US and Ali Nasir in Germany . Ali Nasir is the only painter at this exhibition who presents his works personally.&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;Looking at the artworks presented by Elaheh Gallery you can clearly see the indications of living environmental conditions of the painters in their works. In almost all presented paintings of Nikzad Nojoomi&amp;nbsp; there is a feeling of satirical duality as if he is trying to convey the duality that exists in the lives of the immigrants. Other presented paintings from Iran are on base of history and tradition.&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;Elaheh Javahery believes although Art Köln is a great trade market for artistic works but her presence for offering Iranian works has more important purposes than just the monetary ones. The artistic activities of Iranian painters in recent years have been so expanded that can guarantee Iranian artworks to have a much higher status in International art exhibitions and trades for the coming years. &lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;She says during all previous years she participated in this exhibition and the other ones in Belgium without any financial support. The only financial support that she&amp;nbsp; received this time was through Damoon Far Co. an importing company of painting utensils. &lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;The director of Elaheh Gallery says the financial support of artists by people in Iran has not been a trendy performance&amp;nbsp; yet and those who have financial capabilities in this regard should be encouraged to do so. Considering the reactions of non Iranian visitors of this exhibition she says that :” For those people the quality of the artwork itself was of prime importance rather than the nationality of its creator.” She also said Iranian artworks presented in the exhibition were very much comparable with the other&amp;nbsp; paintings. &lt;br /&gt;&amp;nbsp; &lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;&amp;nbsp;&lt;/p&gt;</description>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=187</link>
      <pubDate>2007-04-23</pubDate>
    </item>
    <item>
      <title>Fifty photographs from ten years of Iranian Cinema</title>
      <description>
  &lt;p align=&quot;justify&quot;&gt;Ahmad Ahmadi has started his activities as a short films’ cameraman in Cinema since 1987 and since 1995 has became one of the outstanding photographers of cinema. Among his artistic records you can observe him as a cameraman for&amp;nbsp; 51 cinema movies as well as 53 short and long films .&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;The exhibition continues up to May 10th at Mahe Mehr’s Café Gallery.&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;&amp;nbsp;&lt;/p&gt;
  &lt;p align=&quot;justify&quot;&gt;&amp;nbsp;&lt;/p&gt;</description>
      <link>http://www.mahe-mehr.com/news_en.php?action=view&amp;id=186</link>
      <pubDate>2007-04-22</pubDate>
    </item>
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